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Not too long ago, Mark Coleman headlined UFC 109 facing Randy Couture. Several days later, he’s apparently no longer good enough to remain in the UFC at all. On Wednesday, following a lopsided loss to Couture the UFC released Coleman from his contract and cut the veteran heavyweight. Coleman is now free to sign with any other promotion, but at 46 years of age his most likely-and most advisable-course of action is retirement. Retirement is a tough thing for any pro athlete to swallow, however, and fighters in particular have had difficulty in ending their career gracefully.

Coleman became the first UFC fighter to be cut immediately after headlining a PPV event. Others have left due to drug test failures or for other opportunities, but none have ever been cut from their contract. Sources close to the UFC suggest that it was a decision no one wanted to make, but that all felt was unavoidable due to Coleman’s age and deteriorating skills. On the other hand, its interesting that the UFC sees fit to keep any number of other aging fighters with deteriorating skills on the payroll but not a Hall of Famer in Coleman.

While the fact that Coleman is a shell of the fighter he was at his prime, the UFC’s suggestion that they have his best interest at heart is somewhat duplicitous. He was kept around and booked into last Saturday’s fight-a fight that no one particularly had any interest in seeing in the first place-simply because he was a fighter that Randy Couture could beat. Were the UFC interested in the well being of their aging fighters there’s several others on the roster that should also be cut for the same justification as Coleman. Couture, Tito Ortiz and Chuck Liddell are all well past their prime but they’re still under contract and will all likely fight again.

Coleman’s age has never been a secret and his diminished skill level was evident to anyone who has watched his recent fights. If the UFC was really interested in his physical well being, the main event against Couture should have never taken place. The fight itself wasn’t exactly one that UFC fans had been clamoring for and one that met with derision from the MMA media from the time it was announced.

While retirement would be in Coleman’s best interest, he may attempt to fight in a smaller US promotion or in Japan where he’s well known from his time in PRIDE. He’s already a member of the UFC Hall of Fame with a 26-10 career record and has fought the best in the world including Fedor Emelianenko, Antonio Rodrigo Nogueira and Mirko Cro Cop.

Ross Everett is a widely published freelance sports writer and respected authority on baseball betting. His writing has appeared on a variety of sports sites including sportsbooks and sportsbook directory sites. He lives in Las Vegas with three Jack Russell Terriers and a kangaroo. He is currently working on an autobiography of former interior secretary James Watt.

Having survived a couple of World Wars, countless recessions, the indignation of lifestyle police, and most recently the video game phenomenon it appeared that pinball was just too tough to kill. That’s why it was a surprise when WMS Industries, the dominant player in the industry for the past decade and the maker of Williams and Bally machines, announced that it was getting out of the business several years ago. WMS wasn’t in any sort of financial peril, but rather they wanted to focus on their more lucrative slot machine and video poker business.

Until the 1980′s, pinball dominated the arcade. In the late 1970′s and on the heels of the film adaptation of The Who’s pinball themed rock opera ‘Tommy’ arcades featured row after row of new machines from over a half dozen US based manufacturers. Countless other machines were made worldwide. The first shot of the video game industry didn’t make much of a dent–’Pong’ was revolutionary, but its gameplay was downright dull compared to pinball. It also required two players, another downside in the often solitary isolation of the arcade. The first real challenge to pinball was the second generation of video games, including ‘Space Invaders’ and ‘Asteroids’.

Pinball hung in there, however, and through the early eighties continued to make some solid games. The ones that come immediately to mind are games like Firepower (which helped launched the now ubiquitous multi-ball feature), Black Knight (offering an early version of the looping ramps found on many modern machines) and a couple of fun machines from Bally Paragon and Flash Gordon. For awhile, the choice between pinball and video games was similar to the choice between Pepsi and Coke: both were equally pervasive and it was simply a matter of personal preference.

It was the late 1980s”when video games became more technologically advanced and began to offer superior play experiences”that pinball lost its way. Depending on the manufacturer, they did it in different ways. Gottlieb and others made simple, traditional games that just couldnt compete with their video counterparts. Bally and other manufacturers went the opposite route”by cramming so much onto a playfield that the game hardly resembled traditional pinball. Some of Ballys late 1980s games”with so much playfield gimmickry going on”were nearly unplayable. By this point the video game had taken over the arcade. Some larger arcades continued to offer a few pinball machines to placate hardcores, while some eliminated pinball altogether. In the 1970′s most decent arcades would feature over a dozen machines, with large facilities having several dozen. By the mid 1980′s, it was rare to see more than three or four pinball machines in one location.

As the eighties gave way to the 1990s, however, a funny thing happened. Pinball began to experience a bit of a comeback driven by well designed, enjoyable games that finally got the balance between traditional gameplay and modern technology right. Williams and Bally (whom WMS later acquired), along with Data East, were making the majority of new games and some would become classics. Pin-Bot, Earthshaker The Adams Family and Diner are among my favorites of this era. Williams was at the forefront of the return to excellent design and gameplay, and its hard to think of a Williams game from this period that wasnt a fun game to play, if not a borderline classic. Articles started to appear in the traditional media about the durability and timelessness of pinball, about how the average pinball machine received much more repeat business than the average video game and about the devotion of the pinball player.

With the century drawing to a close, it seemed that the Williams/Bally outfit had found a niche and would be able to grind out pinball machines for the aficionados forever. The final nail in the coffin, however, was a lot of societal changes beyond their control. For one, video games and video arcades became less profitable as companies like Sony and Nintendo were able to transform a lot of the high end gameplay to the home platform. Meanwhile, trends like new urbanism,which saw a return to downtown storefronts and the growth of online shopping combined to hurt traditional shopping malls. Fewer people were going to malls, and they werent staying as long when they did. Mega-malls like the Mall of America and the Forum Shops at Caesar’s were the exception to this, but there just werent enough to these to sustain demand. As the century ended, the WMS corporate braintrust decided to pull the plug on pinball and concentrate on their highly profitable gambling machine business. From a business standpoint, it probably made sense but that didnt make it any easier for lifelong pinball enthusiasts to reconcile with.

So what now? Stern Pinball”recently spun off by Sega”is still committed to building new games, but their track record is spotty and certainly not in the league with Williams/Bally. Theyll have a harder time marketing the games, and as a result theyre not a company that will be able to bring the industry roaring back. At this point, it appears that the only hope for pinball players is that some effort will be made to preserve the machines that already exist. With the capital investment required for a new company to get into the business, its hard to envision any new manufacturers popping up.

Ross Everett is a freelance sports writer and highly respected authority on NFL football betting. His writing has appeared on a variety of sports sites including sportsbooks and sportsbook directory sites. He lives in Southern Nevada with three Jack Russell Terriers and a kangaroo. He is currently working on an autobiography of former energy secretary Donald Hodell.

This time we wont rank the bad celebrity pinball machines, well look at several different genres of bad celebrity tie ins:

THE BOX OFFICE BOMB THEMED MACHINE:

In 1991 Williams Pinball released a machine based on Terminator 2. It had a gun trigger to launch the ball and a ton of Arnold’s catch phrases like Ill be back keyed to various game objectives. The film was a huge hit, and everything worked well together. Now the bad news: because of the success of this machine the production companies thought “Hmm. What well do is release the pinball machine simultaneously with the film.”

Unfortunately, this thinking led to a number of pinball machines based on films that were absolute bombs. For example, there wasnt a cooler cartoon than The Flintstones. So how do you screw up a Flintstones pinball machine? Just base the theme not on the classic Hanna Barbara cartoon, but on the horrible film starring John Goodman and Rosie ODonnell.

My two favorites are The Shadow which is hilarious because Alec Baldwin is on the backglass and Waterworld. Waterworld was released in 1995 starring Kevin Costner and quickly became the definitive big budget, no box office film replacing Michael Ciminos Heavens Gate and the Dustin Hoffman/Warren Beatty comedy Ishtar.

Playing a bomb themed pinball machine is downright surreal. The most pitiful thing is when the machine booms out a catch phrase from the film that no one is familiar with. Fortunately, this trend died out with the demise of most of the pinball manufacturing companies. The remaining pinball maker, Stern Pinball, has learned from this mistake filled era and only does machines based around cool themes like The Sopranos and The World Poker Tour

THE DUBIOUSLY TIMED THEME:

In this genre I include themes that would have been pretty cool, except for the fact they were released well after the subjects popularity had begun to ebb. Gilligans Island would have been great back in the mid-1960s or even in the late 70s when a new generation discovered the show in syndication. In 1991 it was just creepy since nearly half of the cast members depicted on the backglass were dead. The Six Million Dollar Man was released in the fall of 1978, just in time for the shows cancellation. Clint Eastwood as Dirty Harry would have been a perfect fit for a pinball theme, except that its 1995 release came 8 years after the debut of the last film in the series (The Dead Pool). Popeye Saves the Earth was released 15 years after the release of the Robert Altman film.

Undoubtedly the strangest machine of this genre is 1994s Mario Andretti. Andretti is certainly worthy of a pinball machine as hes a legitimate auto racing legend. Whats strange about this machine, however, is the backglass which displays an image of grizzled old Mario Andretti. The smart move would have been to use his name, throw a bunch of race cars on the backglass and playfield and call it a day. Instead having the sixty-something race car driver on the backglass is vaguely akin to having your grandfather looking over your shoulder while you play.

ROOT,ROOT, ROOT FOR THE HOME TEAM:

A comment on the original celebrity theme article mentioned this genre and it is a good one. Its important to understand that the pinball industry has been based in Chicago for most of its history. Presumably for that reason there have been some machines featuring the local sports teams and stars. Chicago Cubs Triple Play isnt too bad due to the Cubbies national popularity. The Big Hurt Frank Thomas was a solid major league ballplayer, but not really worthy of a pinball machine themed around him. The most egregious example of this was 1978s Bobby Orrs Power Play, released not long after the trade that sent Orr from Boston to Chicago. Nationally, no one outside of Boston and Chicago cared. My hunch is that it was made to scam some free season tickets out of the Blackhawks management.

THE BAD CONVERSION FOR THE INTERNATIONAL MARKET:

This requires a little bit of an explanation: for reasons that Ive never been quite clear on it was common practice to rebrand a perfectly good game for the International market. Sometimes it was released by the US company, other times it was licensed to a foreign operation. Youd think that there would be some creative control over the rebranded themes. Youd be wrong.

While I have a good grasp on the US pinball demographic I have no idea who plays pinball internationally. Based on some of the re-themed machines its probably better I dont know. Mata Hari was a classic machine of the early 1980s. The German release was rethemed as the more foreboding Lady Death. This one at least makes sense as they had some Nazi imagery that Germans are understandably sensitive about (despite being historically inaccurate, since the real Mata Hari was executed during WW I). Less understandable is the retheming of a military themed game called Special Force in the US to the downright bizarre Special Forces Girls, featuring comely women in low cut, cleavage baring fatigues.

Ross Everett is a widely published widely published freelance sports writer and noted authority on NFL football betting. His writing has appeared on a variety of sports sites including sports news and sportsbook directory sites. He lives in Las Vegas with three Jack Russell Terriers and an emu. He is currently working on an autobiography of former interior secretary James Watt.

The video game is now a ubiquitous part of American pop culture. Pinball, however, is still much cooler. Though there’s been a lot of consolidation in the pinball industry in recent years, the quality of modern games keeps improving. This is due, in part, to improvements in technology–though not at the expense of first rate playfield design. Pinball went through a few lean years during the early years of the video boom, when designers tried to cram as much stuff onto the playfield as possible, perhaps feeling the clutter was needed to replicate the video game experience. In recent years, however, designers appear to have concluded–and rightly so–that pinball cannot be a video game, nor should it want to be.

A great game of recent vintage is the 1997 Bally release “Cirqus Voltaire”. The theme is sort of a ‘Cirque du Soleil” on acid, and the iconography of the circus that they cram into the design and play of the game is amazing. The ultimate object of the game is to “join the cirqus”, which, of course, is a classical American archetype of freedom and escape.

The game play offers a lot of what we’ve come to expect from Williams/Bally, with sweeping ramp shots, clever uses of time-worn features (like the disappearing pop bumper, reincarnated here as a balloon. This feature dates back to the 1950′s and appeared on Williams “Gusher” among others), and multi-ball a-plenty. As is very common with pinball games today, the game’s ultimate object is to work your way through a variety of ‘modes’. Sometimes this is a confusing endeavor, but here is very easy to understand–yet still very challenging to the player.

At its nadir, pinball companies were cranking out games featuring themes and subjects that offered little, if any, synergy with game play. “Cirqus Voltaire” may represent a high point of thematic unity between game subjects, aesthetic design and play experience. It offers an otherworldly interpretation on a circus, with subtext, nuance and detail.

The really great thing about the game is the multiple levels of contextual awareness it offers. A slack jawed yokel can play it and just think its a nice game about the circus. To a cleverer player, it alternately provides a celebration and condemnation of the circus and, deeper still, of the popular culture that spawns and embraces them.

Ross Everett is a freelance sports writer and respected authority on NFL football betting. His writing has appeared on a variety of sports sites including sportsbooks and sportsbook directory sites. He lives in Las Vegas with three Jack Russell Terriers and an emu. He is currently working on an autobiography of former energy secretary Donald Hodell.

Washington Redskins head coach Jim Zorn is off of the hot seat-at least temporarily. After a recent swoon that saw him stripped of play calling duties for the NFL team, Zorn got a vote of confidence from upper management on Friday. His head isn’t entirely out of the noose, however, as the reprieve will last only to the end of the season unless some marked improvement is seen in the second half.

Executive Vice President of Football Operations Vinny Cerrato had the following statement:

“Jim Zorn is the head coach of the Washington Redskins and will be for the rest of this season, and hopefully into the future.”

“The frustration is very high, everywhere around here. But the relationships internally within this organization, quite frankly, remain the same.”

For his part, Zorn was unaffected by the vote of ‘semi-confidence’:

“I don’t necessarily have a reaction to that because I am the head coach. I want to be here for the next 10 years. That’s my story.”

While he didn’t express much personal relief from the management statement, he said he hoped it would benefit his players:

“If it comforts the players – awesome! But I think our players are focused regardless of what the situation is. Whatever has to be said, I guess it has to be said, but we go on.”

Quarterback Jason Campbell sounded relieved:

“That should relieve a lot of tension and a lot of stress. Guys don’t have to worry about thinking about it or talking about it. We were the soap opera for the NFL the last two weeks so hopefully it’ll calm down a little bit.”

Ceratto also had a different take on the removal of Zorn’s play calling duties:

“Look at all the things that we’ve done to try to help. You could have done other things drastically. No, you have confidence in him, because you want him to do well. Hopefully we can just concentrate and focus on winning football games.

He also expressed confidence in offensive consultant-and new offensive playcaller-Sherm Lewis’ ability to do the job:

“You don’t forget how to ride a bike if you hadn’t rode your bike in four years.”

The Redskins have slumped to a 2-4 record in the early part of the NFL season despite being the first team in league history to play six straight games against winless teams. The Redskins two wins came against the St. Louis Rams and Tampa Bay Buccaneers who have a combined 0-12 record. Washington will host the Philadelphia Eagles this Monday night before a bye week.

Ross Everett is a widely published freelance writer and noted authority on soccer betting. His writing has appeared on a variety of sports sites including sports news and sportsbook directory sites. He lives in Southern Nevada with three Jack Russell Terriers and a kangaroo. He is currently working on an autobiography of former interior secretary James Watt.

The NBA All Star game was played without a couple of high profile participants this year as the Los Angeles Lakers’ Kobe Bryant and Philadelphia 76ers’ Allen Iverson would not play due to injury. Kobe and ‘AI’ were the latest in a string of injuries to All Star players that also claimed Portland’s Brandon Roy and New Orleans’ Chris Paul. The NBA has been much more strict about attendance at the All Star game since a number of players skipped out with dubious injuries.

Kobe Bryant has been plagued with minor injuries all year, but missed the Lakers’ last three games prior to the All Star contest due to an ankle sprain. Los Angeles is hopeful that by not playing in the game that Kobe will be able to return to action immediately after play resumes following the All Star break. Bryant did travel to Dallas to participate in All Star game festivities.

Iverson has missed Philadelphia’s past five games due to an illness suffered by one of his young children. Unlike Kobe, Iverson wasn’t expected to be in Dallas this weekend due to the nature of his situation. It’s debatable that Iverson deserved an All Star game nod in the first place. He quickly wore out his welcome in Memphis to start the year, and eventually landed back in Philadelphia where he’s averaged 14.4 points per game since his return. He was voted in to the starting lineup by NBA fans, and this renewed calls from the media to revise the procedure for selecting All Star game participants.

Jason Kidd of the Dallas Mavericks was chosen to replace Bryant in the Western Conference lineup, while New York’s David Lee was the East’s fill in for Iverson. The West already had two ‘fill ins’ named to their roster as Denver’s Chauncy Billups and the LA Clippers’ Chris Kaman took the place of Chris Paul and Brandon Roy respectively.

NBA betting enthusiasts had several options on the menu beginning with the annual ‘rookies vs. sophomores’ game on Saturday. The Sophomores were a -12 point favorite with the total set at 245′ but were crushed by the rookie team.

Ross Everett is a freelance writer and respected authority on football betting. His writing has appeared on a variety of sports sites including sports news and sportsbook directory sites. He lives in Northern Nevada with three Jack Russell Terriers and an emu. He is currently working on an autobiography of former interior secretary James Watt.

The venerable Pump Room Restaurant in Chicago is once again a beacon of civilized living. Famously memorialized in the Frank Sinatra song ‘Chicago’, the ‘jumping Pump Room’ was one of the first true fine dining establishments to open in the Windy City at the end of Prohibition. Almost immediately, it became a favorite of celebrities including the biggest stars in entertainment history–Frank Sinatra, Sammy Davis, Jr, Jackie Gleason, Dean Martin, Clark Gable, Humphrey Bogart, Ronald Reagan and Marilyn Monroe is just a very small list of the icons that made it a regular hangout. In the later part of the 20th century, however, it sort of fell off the map as a new wave of gourmet restaurants in the Windy City led by Charlie Trotter reduced it to a historical footnote.

The Pump Room opened in’38 under the ownership and management of Ernie Blyfield. He took the name from an 18th century London pub favored by celebrities and nobility, including Queen Anne. The original pub got its name from the hot drinks pumped into the cocktails of its stylish clientele.

The Chicago Pump Room was a smashing success from the time it opened. It’s most desired table reserved for ‘A list’ celebrities was Booth #1, which for a time may have been the most sought after table at any dining establishment in the country. Booth #1 at various times hosted Frank Sinatra and his associates, Bogart and Bacall, Judy Garland and daughter Liza Minnelli, John Barrymore and countless others.

After Blyfield’s death in’50, the Pump Room lived on as a Chicago hot spot and welcomed a new era of big names including Mel Brooks, Paul Newman, Robert Redford and Eddie Murphy. One of the most famous stories surrounding the club involves former Genesis drummer Phil Collins, who was refused entry for not wearing a jacket. This inspired the title of his next album ‘No Jacket Required’ which has sold over– million copies worldwide and established Collins as a solo superstar. Following its release, the Pump Room sent Collins an apology–and an appropriate jacket for him to wear on his next visit.

The Pump Room experienced a revitalization in the late’90′s when it was purchased by a large restaurant management group. They spent a lot of money to renovate the facility, overhaul the menu and hire a top flight staff. While the Pump Room’s golden era trade mark flaming food served on a sword was a tragedy of city fire codes, the menu is now on par with any in the city serving a sophisticated interpretation of classic American cuisine. In addition to the revamped cuisine, the Pump Room upgraded its wine offering and expanded the bar area.

The Pump Rooms stature has been maintained by current executive chef Nick Sutton. The star of the place, however, is still the almost palpable sense of history that the dining room offers. Considering that the giants of civilized culture”from Bogey all the way to the Chairman himself”have held court in that room, it is a pretty intoxicating aura. Fortunately, the Pump Room is once again worthy of such legends, and its renaissance is a victory for culinary civility in a world too often overwhelmed with Olive Gardens and Red Lobsters.

Ross Everett is a widely published freelance sports writer and noted authority on sports betting odds comparison. He writing has appeared on a variety of sports sites including sports news and sportsbook directory sites. He lives in Las Vegas with three Jack Russell Terriers and a kangaroo. He is currently working on an autobiography of former energy secretary Donald Hodell.

The worlds best heavyweight mixed martial artist has a new American promotional home. Following Afflictions announcement that they were ending MMA promotional activities, Fedor Emelianenko quickly became the fight world’s most sought after free agent. After rebuffing the UFC’s offer–citing restrictive contractual arrangements–’The Last Emperor’ has signed a multi-fight deal with Strikeforce. Terms of the arrangement were not made public, but Fedor will make his debut for Strikeforce this October.

Strikeforce agreed to give Fedor a non-exclusive contract, which allows him to compete simultaneously in Japan and elsewhere. Furthermore, they agreed to co-promote events with M-1 Global. M-1 Global is owned by Fedors manager Vadim Finkelchtein and the fighter also has an equity stake. These were the sticking points in Fedors negotiations with the UFC, and with Strikeforce not having an issue with non-exclusivity or co-promotion a deal was quickly brokered.

Fedor expressed his pleasure in comments to the media after the signing was announced:

“I am looking forward to going back to work and fighting at the highest level. STRIKEFORCE is a top fight promotion that houses some of the greatest fighters in the world. I am prepared to fight any of them.”

Emelianenkos manager, Vadim Finkelchtein concurred:

“I am very happy and excited about the upcoming collaboration with Strikeforce. We are very pleased that we found a reliable partner and I feel that Strikeforce and M-1 can support each other on many things. This will create big opportunities for both parties to test their fighters against worthy opponents.”

Strikeforce CEO Scott Coker had the following comments:

“We are extremely excited to have the opportunity to work with M-1 Global and Fedor. Fedor has been the reigning king of MMAs heavyweight division for quite some time now so being able to work with M-1 and Fedor will substantially increase the level of competition amongst the athletes in this weight class.”

The UFC’s Dana White quickly responded with an obscenity laced statement suggesting that Fedor was choosing to fight “nobodys” for no money by signing with Strikeforce, but thats simply an attempt to put the best spin possible on it for his sycophants in the media. The reality is that with Fedor’s stake in M-1 Global the financial terms of the deal are likely as favorable with Strikeforce as with the UFC.

More significantly, Strikeforce has much better television exposure at this point than the #1 US MMA promotion. Strikeforce has a relationship with premium cable giant Showtime, as well as CBS TV. The UFC’s only TV exposure is via the ‘Spike’ cable network.

Whites hysterical comments about the quality of opposition simply aren’t true either. Obviously the biggest fight available in the US for Fedor right now would be with UFC heavyweight champion Brock Lesnar, but once you get past him the talent pool in the promotion becomes iffy at best. A fight with Randy Couture would do big business, but there’s no guarantee how much longer The Natural will continue his career. The UFC has a couple of talented fighters with wrestling backgrounds in Cain Velasquez and Shane Carwin, but neither man is ready for a fight against Fedor. Antonio Rodrigo Nogueira remains among the best heavyweights in the world, but Fedor has already beaten him three times during their time in the Japanese MMA organization PRIDE.

Strikeforce has several intriguing fights immediately available for Fedor. Heavyweight prospect Brett Rogers, who knocked out Andrei Arlovski in his last fight, is likely first on deck. The Strikeforce heavyweight belt is currently held by Alistair Overeem, whom mutual opponent Mirko Cro Cop suggests is the one man in the sport capable of defeating Fedor. Fabricio Werdum is a talented veteran of the UFC and PRIDE and may figure into the mix some point as well.

Ross Everett is a freelance sports writer and respected authority on football betting. His writing has appeared on a variety of sports sites including sports news and sportsbook directory sites. He lives in Las Vegas with three Jack Russell Terriers and an emu. He is currently working on an autobiography of former interior secretary James Watt.

Two titles changed hands at UFC 92, with Rashad Evans defeating Forrest Griffin by TKO to win the light heavyweight title and Frank Mir knocking out Antonio Rodrigo Nogueira to claim the UFC interim heavyweight title.

While nominally taking subordinate status to the Evans/Griffin main event the most shocking result by far was Frank Mir’s second round TKO stoppage of Antonio Rodrigo Nogueira. Nogueira was the overwhelming favorite coming into the fight and had never been stopped inside the distance during a career where hed faced the best of the best:

Mir, meanwhile, had been on the verge of a full time move to the broadcast booth before his victory over WWE superstar turned MMA fighter Brock Lesnar. The conventional wisdom concerning Mir was that hed never fully recovered from a serious motorcycle accident in 2004 and that he was essentially a shot fighter physically, emotionally and psychologically.

When the fight against Brock Lesnar was signed, the perception among most fans was that Mir was a high profile setup for the former WWE champ. The expectation was that after a one-sided loss to Lesnar that Mir would transition into the next phase of his career as a broadcaster.

For the first minute of the fight, it looked like the above scenario was going to play out”Lesnar manhandled Mir from the opening horn, taking him down and landing punishing hammer fists on the ground. That was rendered irrelevant, however, when Lesnar made a rookie mistake and dangled his leg in easy reach of the BJJ blackbelt. Mir locked in a deep knee bar and Lesnar was forced to tap.

There would be no such reprieve against Nogueira, according to many pundits, as he was too experienced and too good of a BJJ player in his own right to give Mir any such opportunities for a fluke submission. Mir entered the UFC 92 fight as a +305 wagering underdog, meaning that oddsmakers and the betting public agreed that he had little chance to prevail in this matchup against a highly experienced veteran that had never been stopped inside the distance.

The fight was certainly one-sided, but it was Mir who was in control throughout. From the opening horn he demonstrated surprisingly sharp striking skills, and knocked Nogueira down twice in the first round. Not expecting a solid standup offense, Nogueira looked downright lost in the later stages of the first round as Mir doubled and tripled up his jab and threw impressive punching combinations to go with low kicks and occasional takedown attempts.

Though Mir appeared in full control of the fight as the second round began, the end would come with startling suddenness and brutality. After a low kick attempt by Nogueira, Mirs counter tagged his opponent and he followed up with a big right hook that sent the Brazilian crashing to the canvas. Herb Dean jumped in to stop the fight almost immediately, awarding Mir an improbable TKO victory at 1:54 seconds of round #2.

In the light heavyweight championship match, Forrest Griffin got off to a good start in his title defense by using his superior height and reach and an impressive array of kicks to keep Rashad Evans just out of range for two full rounds. That changed dramatically in the third, as a flash knockdown by the challenger gave him the opening he needed to mount Griffin and unleash a brutal ground and pound assault. Griffin managed to pull guard and survive for a couple more minutes but it merely delayed the inevitable as Evans ended the fight with another punishing punching attack.

The most highly anticipated match on the undercard also featured a lopsided TKO finish as Quinton Rampage Jackson dominated Wanderlei Silva in the third fight between the two men. It was Jacksons first fight since his well publicized hit and run incident in Orange County, California and he looked very sharp throughout before bringing the contest to a close with a perfectly placed left hook to the cheekbone. Silva immediately collapsed to the canvas and the referee started to step in before he hit the ground.

Ross Everett is a freelance writer and highly respected authority on sports betting odds comparison. He writing has appeared on a variety of sports sites including sportsbooks and sportsbook directory sites. He lives in Las Vegas with three Jack Russell Terriers and a kangaroo. He is currently working on an autobiography of former energy secretary Donald Hodell.

According to the old saying time heals all wounds. In the fight game, money”or the potential of it”has the same curative effect. The latest evidence of this is the announcement that Tito Ortiz has patched things up with Dana White and agreed to a new contract to fight in the UFC. Tito left the promotion over a year ago after an acrimonious split with White, though never found a new promotional home that would give him the money and the high profile status that he craved.

After losing to current light heavyweight champion Lyoto Machida in his last UFC appearance, Ortiz left the company and bounced around doing personal appearances and commentary for a variety of promotions. He had surgery on his back in the process, and now claims that hes back to 100%.

Whether or not Ortiz is near his top form as a competitor is of secondary importance to the UFC since his true value has never been questioned”people will pay to see him fight. Ortiz is a fighter that offers no middle ground of public opinion, as people either love him or hate him. That dynamic is box office and PPV gold, a fact not lost on the savvy UFC brass. Dana White evoked the same theme in his comments on Ortiz at a Friday press conference in Las Vegas:

“Tito and I have a history that everyone knows. He’s still a guy that everyone wants to see fight. He said his back has healed perfectly and he’s ready to take a shot at the title. He’s one of those guys that people love and people love to hate. We’ve put all our differences aside, have squashed everything and will move forward, and Tito will retire in the UFC.”

To which Ortiz offered this response:

“Time really cures everything. Dana was a man of his word. Dana apologized to me. We’re like boyfriend and girlfriend.”

Ortiz said that Dana White and UFC co-owner Lorenzo Fertitta came to his home in Huntington Beach, California and made him an offer he couldn’t turn down:

“I’m happy, I’m satisfied, You’ll never hear anything about money again.

Sources suggest that Ortiz could debut on the UFCs New Years card against Mark Coleman. Coleman is coming off a unanimous decision victory over Stephan Bonnar at UFC 100 in mid July.

Though he may be past his prime as a fighter, Tito Ortiz is a star. Some love him, some hate him but people pay to watch him fight. That dynamic is money in the bank to a fight promoter.

Ross Everett is a freelance writer and respected authority on sports betting odds comparison. He writing has appeared on a variety of sports sites including sportsbooks and sportsbook directory sites. He lives in Las Vegas, Nevada with three Jack Russell Terriers and an emu. He is currently working on an autobiography of former energy secretary Donald Hodell.